AVAILABLE NOW!!! The Cary Grant Sanatorium and Playhouse - A disgraced Hollywood starlet, Donna Darling, and two-time German Army deserter, Séamus von Funck, meet in 1942 at an idyllic Ohio home for unwed mothers—or a Nazi abortion slaughterhouse, depending on whom you talk to. Their love endures despite the efforts of a power-hungry congressman, an overzealous religious tabloid, and Donna's Hollywood past. (Psst, it includes Cary Grant.) They prevail despite Séamus being a suspected Nazi spy and America's first prisoner of the second World War—and also the first to escape.

Available now!!

Available now!!
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About Me

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Will Tinkham has published six novels: THE CARY GRANT SANATORIUM AND PLAYHOUSE, THE GREAT AMERICAN SCRAPBOOK, THE ADVENTURES OF HANK FENN, BONUS MAN, NO HAPPIER STATE, and ALICE AND HER GRAND BELL. He lives and writes in Minneapolis, MN. His short fiction has been published on three continents and he long ago attended Bread Loaf on a scholarship. An actor of little renown, his credits do include the Guthrie Theater and Theatre in the Round. @WillTinkhamfictionist on Facebook

Monday, August 7, 2017

On Bryan Ferry and Clara Barton

Got home late last evening and snipped off my second wristband in two nights. That alone should be cause for a blog post. The fact that I'd seen Bryan Ferry at the Palace Theater, then saw some genuine theater with Linda Sue Anderson as Clara Barton at the Bryant Lake Bowl was cause for much reflection on my part.

Bryan Ferry brought me back to an early '80s Roxy Music show in Oakland and the years between wishing I was half as cool as him. Yet, for the last half of the Saturday night show, all that cool was stripped away as he positively beamed back at a truly adoring audience. I don't know if I've ever witnessed such a mutual thrill between band and crowd. (“Avalon” begins playing on Pandora as I write this.)


Linda Sue Anderson, on the other hand, sat front and center on the tiny, bleak BLB stage and took the audience on. As Clara Barton, she spoke on the atrocities committed at the most notorious of Civil War prisons and demanded we listen to her story—their story, the story of tens of thousands of unknown Union soldiers buried at Andersonville. Themselves They Made Immaculate (the play's title derives from the way southern whites presented themselves once the post-war finger-pointing began) is Barton's testimony before Congress concerning the horrors of the prison camp and the tireless search for the identities of those buried there. A Fringe Festival must (and ends with two shows next weekend). Info.


Of course these two events are hopelessly incongruous, yet both hit me where I've lived, whether it be a young rock'n'roll fan longing for the cool or an old historical fictionist wishing he could tell a story that well. Fine weekend. Have a nice week.

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